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The Boxtrolls: Eggs, Winnie and Fish |
The Boxtrolls is a stop motion animation film for children
with surprising adult themes.
Parenting is not an easy venture, but in the film the contrast between two
different worlds is a fascinating axiomatic observation. Juxtaposed on screen are the merger of an
aristocratic society and the gutterpups of the underground – the boxtrolls. In a tangible, contiguous glimpse, the film
brings two worlds together to shows us the variation in environmental
development of childhood.
Winnie, the town council’s daughter, and Eggs, the boxtroll
child are raised in extreme difference.
Winnie has everything money can buy; she is well fed and living in a
palatial home. All things are given to
her in ways the less fortunate can only dream of. Yet, she is missing the most valued and
cherished thing a child needs: Parental guidance and love.
Love is what the boxtrolls encase Eggs in.
Despite living in the catacombs of the underground they have made a home
with a mélange of items that fills the usually damp place with familial warmth. They provide Eggs with the attention he
requires and allow him the agency to discover the ability of creation in
artistic ways from materials the above ground society calls garbage. In many ways Eggs is raised as an equal to
the boxtrolls. They love him enough to nurture
him as a living being, in doing so he sees the world in a soft, good natured
way. He sees beyond the so-called
monstrosity the town labels the boxtrolls in a caveat of annual
entertainment.
For Winnie, the opulence she is privileged with leaves her in unloved isolation. She acts out in obstreperous rebellion to garner the attention of her absentminded father, and unlike Eggs, is treated as an inferior being that is not only incessantly talked down to, but neglected as well. Her father is too busy being an ostentatious, cheese loving blueblood to notice her pleading behavior.
With no parental guidance, Winnie learns to adopt the ferociously prejudiced thinking of the town. When she meets Eggs she spews, in non sequitur haste, what the town believes to be true of the boxtrolls, but as the notion is proved false, the shift in the story reveals to Winnie what the audience already knows. The real monsters that prey on the fear of others are adult humans.
For Winnie, the opulence she is privileged with leaves her in unloved isolation. She acts out in obstreperous rebellion to garner the attention of her absentminded father, and unlike Eggs, is treated as an inferior being that is not only incessantly talked down to, but neglected as well. Her father is too busy being an ostentatious, cheese loving blueblood to notice her pleading behavior.
With no parental guidance, Winnie learns to adopt the ferociously prejudiced thinking of the town. When she meets Eggs she spews, in non sequitur haste, what the town believes to be true of the boxtrolls, but as the notion is proved false, the shift in the story reveals to Winnie what the audience already knows. The real monsters that prey on the fear of others are adult humans.
There are different ways to interpret the film, but one
thing is quite clear. The boxtrolls are
lovable creatures with a childlike sensibility; each one unique in style and
personality. Children of all ages will
love this film as well as any adult.
Stop motion animation is always a wonderful treat to enjoy given the
painstaking time each movement costs, and so with that I say, while the film
does not pass the bechdel test, it is still worth a watch or two.
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